Tag: HEA and HFN

Where women win

roach1 copy

Romance novels are often thought of as straightforward, where the heroine gets her happy ending. But Catherine Roach argues that, for a novel to be about a woman having a rounded and fulfilling life, it’s a transgressive act.

The black feminist love story

"Zora Hurston, beating the mama drum," Library of Congress, 1937.

Their Eyes Were Watching God features a tragic love story. So what made it a model love story for future generations?

Optimism in U.S. Romance

Film still, Eric Selinger interview

Where did the American expectation of a happy ending to romantic stories originate? Scholar Eric Selinger looks back.

Growing into romance

Film still, Melanie Ann Schaeffer interview

Author Melanie Ann Schaeffer found her reading niche when she first encountered romance novels. Writing and reading romance provides her with an occasional welcome escape from reality, and a way of exploring love and humor with boomer-era characters.

The power of romance

Film still, Catherine Roach interview, Popular Romance Project

The romance narrative is one of the, if not the, most powerful narratives in existence, says scholar Catherine Roach.

Engaging the reader

Film still, Rosemary Potter, Popular Romance Project

Bookstore owner Rosemary Potter knows what it takes for a romance novel to grab a reader.

Women who read romance

Film still, Sarah Wendell interview, Popular Romance Project

Sarah Wendell talks about why romance and its happy endings matter.

The changing HEA

Film still, Eric Selinger interview

Scholar Eric Selinger argues that every romance novel presents a unique HEA—or even HFN (Happy For Now)—that fits that particular novel and no other.

Getting their payoff

Film still, Jessica Andersen, Joseph Friedman, Popular Romance Project

Author Jessica Andersen argues that romance novels provide readers with a world where fairness and justice prevail.

Subverting the HEA

Film still, Suzanne Brockmann - What are

Suzanne Brockmann makes sure to put a fresh spin on old tropes in her romance novels.

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