Kensington launched its Encanto line of Latina romances in 1999. Caridad Piñeiro, whose family fled Cuba when she was a young girl, was among the line’s flagship authors with her first novel,
Filed under Interviews · Tagged with branding, Caridad Piñeiro, Caridad Scordato, cultures, Encanto, Harlequin, identity, Kensington Publishing Corp., languages, Latina romance, marketing, Now and Always, Para siempre, Spanish, St. Martin's Press
I am a published novelist and storyteller, and for more than two years I have provided editorial support to Harlequin Turkey. During this period, I have had the chance to translate many Harlequin books written in English into my language and to compare their content with popular romance novels written by Turkish writers. I found several interesting cultural differences. In [...]
Filed under Behind the Scenes · Tagged with beyaz dizi, Canan Tan, cultural difference, family, Harlequin, İrem Yerlikaya, marriage, multicultural, parents, sacrifice, settings, translation, Turkey, unhappy marriage, writing, Yüreğim Seni Çok Sevdi
Readers of inspirational romance want both a compelling, wholesome love story and an uplifting Christian faith element. A good inspirational romance supplies both of these, and more. Many contemporary readers find it challenging to live an authentic Christian life in today’s world, to act with integrity in an impure culture and to keep their faith, hope, and love alive in [...]
Filed under Behind the Scenes · Tagged with A Father's Place, adoption, Amish romance, bodyguards, characters, Christianity, churches, community, convicts, cowboys, Delaware, editors, Ellie Wayne, embezzlers, Emma Miller, faith, family, fathers, forgiveness, Golden Rule, Harlequin, HEA, historical romance, idealism, inspirational romance, Joan Marlow Golan, Johanna's Bridegroom, Linda Ford, Love Inspired, Marta Perry, materialism, morality, murder suspects, orphans, parents, positive, profanity, prostitutes, prostitution, readers, redemption, relationships, self-improvement, sex, simplification, sin, spirituality, Terri Reed, The Cowboy Target, The Cowboy's Unexpected Family, transformation, voice, weddings, widows, Wyoming
Debbie Kaufman didn’t set out to write inspirational romance (or even romance at all), starting with suspense. But between joining the Romance Writers of America and her son-in-law lending her a copy of Before We Cook and Eat You, an account of missionary life in Liberia in the 1920s and 1930s, she couldn’t help but think, “I wonder if I [...]
Filed under Interviews · Tagged with 1920s, 1930s, Before We Cook and Eat You, Christianity, Debbie Kaufman, erotica, faith, Georgia, Harlequin, historical romance, inspirational romance, Liberia, Love Inspired, Romance Writers of America
Back in 1979, during the first wave of popular romance criticism, Ann Barr Snitow claimed that “virginity is a given” in the mass-market category romance. Things changed for heroines some time ago; in fact, they’d changed in longer historical romance novels well before Snitow published her essay, and in Harlequins shortly thereafter. Is a comparable shift underway for heroes, this [...]
Filed under Talking About Romance · Tagged with 1970s, ambiguity, Ann Barr Snitow, archetypes, chastity, Christianity, courtesans, Courtney Milan, Gaithersburg, Harlequin, Innocent Ecstasy: How Christianity Gave America an Ethic of Sexual Pleasure, inspirational romance, Jessica Farleigh, Jonathan A. Allan, Joshua Harris, Journal of Popular Romance Studies, lust, M/M romance, Maryland, masculinity, morality, North America, pastors, Peter Gardella, purity, Queen Victoria, Sir Mark Turner, theology, Theorising Male Virginity in Popular Romance Novels, Unclaimed, virgin hero, virginity
The market popularity of the Fifty Shades trilogy is undeniable. Starting life as Twilight fan fiction and published as original fiction after some slight alterations, the trilogy has by turns delighted, scandalised, and drawn derision from its readers. What is less clear, though, is what genre the Fifty Shades trilogy occupies. With its emphasis on monogamy, love, and the idea [...]
Filed under Talking About Romance · Tagged with 1800s, Anastasia Steele, BDSM, Bella Swan, billionaires, category romance, Christian Grey, Edward Cullen, erotica, fan fiction, Fifty Shades Darker, Fifty Shades of Gray, genre, Harlequin, Harlequin Presents, HEA, healing, Jodi McAlister, liminality, monogamy, narrative structure, New Moon, Pamela Regis, point of ritual death, pornography, pregnancy, serialization, shyness, Steven Marcus, The Other Victorians, The Oyster, The Pearl, trilogies, Twilight, virginity
The category romances of Harlequin Mills and Boon are an international phenomenon—sold everywhere from cell phones in Japan to railway stations in Europe and written by authors from around the world. The most popular of these categories is Harlequin Presents, which was originally started with only authors from England, but is now dominated by writers from the United Kingdom, Australia, [...]
Filed under Talking About Romance · Tagged with Antipodes, Australia, Breiman and Cutler, Canada, Deborah Philips, Europe, exotic setting, glamour, Harlequin, Harlequin Presents, Holland, Jack Elliott, Japan, Karen van der Zee, language, Leslie Rabine, linguistics, Marketing Moonshine, Mills and Boon, mobile devices, New Zealand, Random Forest, Reading the Romantic Heroine, regionalism, sales locations, South Africa, statistics, text mining, time, transporation, U.K., U.S.A.
Can a romance novel be a work of art? Baldly put, the question seems a little out of date. After all, it’s been almost a hundred years since Marcel Duchamp bought a snow shovel and inscribed it In Advance of the Broken Arm (1915), the first of his famous “Readymades.” (His next big number is even more famous: in 1917, [...]
Filed under Talking About Romance · Tagged with Ann Barr Snitow, art, Eric Selinger, Flarf, For Love or Money: The Literary Art of the Harlequin Mills & Boon Romance, Fountain, Guy Davenport, Harlequin, Helen Vendler, highbrow, Hugh Kenner, In Advance of the Broken Arm, irony, Kathleen Woodiwiss, Laura Vivanco, literary criticism, lowbrow, Marcel Duchamp, Marjorie Perloff, Mass Market Romance: Pornography for Women is Different, metaphors, Mills and Boon, modal counterpoint, myths, poetry, Poets & Writers, Readymades, realism, Teach Me Tonight, The Flame and the Flower
Call it the “call me” summer. There are likely few corners of the globe that haven’t spent the past several months humming along—if not more—to Canadian pop star Carly Rae Jepsen’s “Call Me Maybe.” The fun, flirty invitation to a dreamy crush has been on the USA Top 40 singles chart since March, holding the #1 spot for nine weeks [...]
Filed under Talking About Romance · Tagged with Ann Powers, Australia, B.J. Daniels, Ben Knechtel, Brazil, Call Me Maybe, Canada, Carly Rae Jepsen, clinch covers, Cookie Monster, cover art, Dana Marton, Daniel Kreps, empowerment, Finland, gay romance, GLBT, Harlequin, humiliation, Intrigue, Justin Bieber, Katy Bieber, Linda Warren, Love at First Sight, music, New Zealand, NPR, Olympics, pop music, screwball heroines, Sesame Street, Skylar's Outlaw, SPIN.com, Stranded with the Prince, Super Romance, U.K., U.S.A., validation, William Gleason
On June 26th, I (Laurie Kahn) posted some excerpts from our interview with Gwen Osborne, and she wrote to me saying, “I really wanted to underscore the point about the ‘Boomer market.’ Readers are getting older as the heroines are getting younger (or so they seem).” So I invited her to write a guest blog here at PopularRomanceProject.org, and she [...]
Filed under Behind the Scenes · Tagged with 1940s, 1950s, 1960s, 1990s, A Second Chance at Love, AARP, age, age difference, anonymity, Arabesque, archetypes, Audible.com, baby boomers, blended families, Body and Soul, boomerang children, Charlotte McNally, Chicago Stars, children, comedic romances, consumers, cougars, Dangerous Dilemmas, divorce, economy, Edge of the Roof, Ellyn Bache, Evelyn Palfrey, Everlastin' Love, Everything in Its Place, Far From Home, Felicia Mason, From the Heart, Gay G. Gunn, Going Home, grandchildren, grandparents, Gwen Osborne, Hank Phillipi Ryan, Harlequin, heroines, How Stella Got Her Groove Back, Hurricane Katrina, Janice Sims, Jeanne Ray, Jennifer Archer, Jewish characters, John Jaffe, Julie and Romeo, Julie and Romeo Get Lucky, Layle Giusto, Leslie Esdaile, menopause, Monica Jackson, mother-in-laws, mothers, multi-generational romances, National Association of Baby Boomer Women, neighbors, Never Too Late for Love, NEXT, Over 50's Single Night, readers, relatives, Rochelle Alers, Romance Writers of America, Romeo and Juliet, Sandwiched, second-chance romances, secondary romances, sexuality, Shakespeare, Sheila Williams, Silver Love, sisters, Stand-In Bride, statistics, stepmothers, Susan Elizabeth Phillips, Tara Gavin, Terry McMillan, The Price of Passion, Thief of Words, Three Perfect Men, Through the Storm, Vietnam War, widows